practicethechess1

"Put your leg up." "What?!" "Put your leg up. Cross it over your knee." "Honey, we're in a cinema and there are people all around." "Exactly," she said grinned. "Now do it." Flushing, I did as she asked - crossed my left leg over my right knee, so my left foot was next to her. I stared as hard as I could at the cinema screen, hoping no one was looking. We were on the back seat, so it wasn't too bad, but a voice in my head was telling me that everyone knew. Then, as if it was the most normal thing, she undid my lace and yanked my shoe off. Then my my sock. "What are you--" "Sh," she cooed. "Don't move and don't make a sound the film will start soon." I fumed and felt giddy all at the same time. Anyone could see us. Anyone!! She starts stroking the cold tip of a single key lightly up the sole of my left foot. I barely stifle a shriek. "What are you--" "Now...I know this tickles, baby," she whispers. "And I know you like it..." I did. I loved it. And she knew it. "Here's

=======A Tutorial We’ve all run into the situation where we want a character to speak while gagged, but what do you write? You can put your hand over your own mouth, speak the lines and try to mimic it in print, but when faced with the task it’s not that simple. Good gag speak can help paint a more vivid picture of a captive's distress more vividly and make us feel that gag empathetically and viscerally, if there were just some rules to follow (and break). I am no expert, but over decades of DiD writing I have been evolving a set of guidelines in my head of how to convert normal speech into sets of letters that portray a character with gag hampered speech. These guidelines were first based on observation of other people’s writing, then an analysis based on what I have been able to learn and observe about sound and speech articulation. Only recently have I boiled these down to a set of written guidelines. Styles of my own writing are biased of course, but take, ignore, or break the